Valentine’s Day Review of Cotillion by Georgette Heyer

What better way to celebrate Valentine’s Day—in a literary way—than to read an excellent romance? (Well, chocolate might go head-to-head with a romance novel. But it is February and, as usual, the momentum from holiday chocolate intake has resulted in somewhat of a chocolate addiction, so I’m doing a cleanse. Guess I should have waited a week to start it!)

Valentine fr Katie K

 

One day about 15 years ago, I walked into Indigo bookstore and browsed the romance section. I’d become frustrated with constant disappointments in what were considered top quality romance, and before I quit reading that genre altogether, I decided to give it one last try. I asked the saleswoman if she could give me some suggestions, and she asked me who some of my favorite authors were. I listed several popular authors and classic authors, and she brought me to the “H” section where she introduced me to Georgette Heyer.

Georgette Heyer photo fr LIbraryThing

 

That first book was Cotillion, and it is still one of my favorites with its delightful characters, engaging plot and humor.

“Well aware that to bring the voice of sober reason to bear upon the exaggerations of agitated females was both fruitless and perilous, Freddy wisely let this pass…”

—Georgette Heyer, Cotillion

 

Miss Charing is animated, sweet, and driven to help others however she can. And Kitty, as she is called, will receive her guardian’s fortune if she marries one of his nephews.

 

Unfortunately, Kitty has her eyes set on the rake nephew, “rake” being short for “rakehell”, analogous in today’s language to a hell-raiser, who is in no mood to settle down. So Kitty persuades another nephew, Freddy Standen, to pretend to be engaged to her. Freddy is kind-hearted, says as little as possible, is hilariously understated with a dry, dry sense of humor, and never plans to marry.

 

Her plan is to make the rake jealous, and when he comes to his senses and proposes to her, she and her friend Freddy will break off their engagement.  But of course things never go as planned. The action moves quickly and the dialogue keeps a smile on the reader’s face.

Georgette Heyer Cotillion cvr fr LIbraryThing

“You think I’ve got brains?’ he said, awed. ‘Not confusing me with Charlie?’
‘Charlie?’ uttered Miss Charing contemptuously. ‘I daresay he has book-learning, but you have—you have address, Freddy!’
‘Well, by Jove!’ said Mr Standen, dazzled by this new vision of himself.”

—Georgette Heyer, Cotillion

Georgette Heyer Cotillion cvr fr LIbraryThing 2

 

After I’d read a few of Georgette Heyer’s books, and was looking for more, I found out that she’d written around 57 books! Many of them are in the genre called Regency romances whose settings are during the late 18th and early 19th centuries, approximately the time of British Regency. Having written over twenty-four of these between 1921 and 1972, Georgette Heyer is actually credited with establishing the genre, known as the “novel of manners.”

 

I browsed around the web and compiled my own list of her most beloved books, which I am still working through. Here is my list of books that I haven’t read yet, and am still looking for in the used book stores. They are ranked as some of her best, compiled from the various fan websites :

 

The Grand Sophy

Friday’s Child

Venetia

Frederica

The Nonesuch

 

(Okay, I’ll admit it, I carry this in my wallet!)

 

Cotillion was originally published in 1953, and was republished, as are many of Heyer’s books, thank goodness. I find most of her Regency romances equally humorous, full of intelligent, warm, witty heroes, and naïve yet determined and spirited heroines. What a breath of fresh air!

Georgette Heyer 170px-Edmund_Blair_Leighton_-_On_the_Threshold

I give this an A+ and highly recommend it and her other Regency romances, which can be found just about anywhere, including many brick-and-mortar book stores and libraries, and the Internet Archive.

Intrigued? You can also have a look at my reviews of two other Heyer books, Arabella and The Convenient Marriage.

 

Painting “On the Threshold” by Edmund Leighton (1853–1922), http://en.wikipedia.org/wiki/File:Edmund_Blair_Leighton_-_On_the_Threshold.jpg

Cover and author images from www.librarything.com

(And the two valentines are straight from my elementary school scrapbook!)

Valentine fr Bruce

 

Review of Looking Backward 2000 – 1887, Part 3

Romance, 1887-style!  Or…was it 2000-style?

In the introduction to the 1915 printing of this book published in 1887, Sylvester Baxter describes the novel as “the ingenious device by which a man of the 19th century is transferred to the end of the 20th”, and notes that in the decade that followed its publication, the world was filled with the agitation it helped kindle. According to the website Quebecois Libre, by the early 1890s, about 13 years after the book was published, there were already 165 “Bellamy Clubs”!

Not only was Edward Bellamy knowledgeable about industrial, social, and political issues and customs, he was also a creative storyteller. This novel ends with a fascinating look at Julian West’s romantic relationships. As the middle of the novel weighed down with social contrasts and details of Bellamy’s 1887-imagined lifestyle of Boston in the year 2000, I started to wonder if I could actually finish it. But the whirlwind ending kept me reading every word.

My first two posts in this review focused on the general premise and the author. In this post, I summarize sections from Looking Backward to give more glimpses into Edward Bellamy’s 1887 vision, and a taste of his writing and the plot. But before I do, I want to share what a previous owner of my copy of this book wrote. Probably inspired by what he or she read, the following penciled notes appear on the copyright page, and I thought they were worthy of passing along:

“He who falls and gains his feet shows more strength than he who never falls.” “God’s greatest gift is time. Use it right.” “Look ahead to realize, not back to regret.”

Previous owner's notes

Previous owner’s notes

The novel begins with a Preface, supposedly written by a twentieth century author speaking to a twentieth century reader about the novel he or she is about to read. In Chapter 1 the narrator, a fictional character Julian West, introduces himself by emphasizing that he was born in 1857, not 1957, and he describes his former way of life:

In late 19th century, society was in 4 classes or nations: rich, poor, educated, ignorant—not like today, 2000. As were my parents and grandparents before me, I was wealthy, not working, living off the labours of others, not giving any service to the world, idle, living off my grandparents’ sum of money, shifting the burden of support to others’ shoulders, an art now [in the 2000’s] happily lost, but perfected by ancestors. All sought this accomplishment, to live on the income of his investments. This arrangement seems preposterous now.

Society in those former days can be compared to a coach where many pull it with a rope, and few ride. …the hallucination the riders shared was that they were unlike the rope-pullers, they were superior. This changes any feeling for the suffering of men into a distant, philosophical compassion. This is the only explanation the narrator can give for his own indifference at the late 1800’s toward the misery of others.

Child workers in Millville,NJ

Wikipedia – Child workers in Millville,NJ Photographed by Lewis Hine

Julian West is visiting his fiancé and her family on Decoration Day, May 30, 1887. They want their house to be completely built before they get married, but strikes by carpenters, plumbers and other tradesmen have been delaying it for years. All agree that working classes all over the world seem to be going crazy at once. He leaves them and goes to his home, where he has a subterranean sleeping chamber for his insomnia. He calls for his hypnotist to help him sleep.

He wakes on September 10, 2000, having slept 113 years, to unfamiliar voices discussing him, a woman repeatedly whispering “Promise me you will not tell him.” He is in the home of Dr. Leete who lives in a house built on Julian West’s property. Dr. Leete explains to him that Julian’s house was burned down, and since no one knew of his subterranean sleeping chamber, they assumed he died. The area was recently being excavated and they found the chamber, and Mr. West inside it, asleep.

From an upper story window, Julian notices an absence of chimneys, and an obvious increase in material prosperity applied toward adornment of the city. He will soon find that the sidewalks have “public umbrellas” during the rain. Julian meets Leete’s beautiful daughter who has the same name as his late fiancé, Edith. He comments that the women of the twentieth century dress gracefully compared to the 19th century. (I was surprised that the author did not imagine any motorized vehicles whatsoever, and only referred to horses as transportation, but have learned that mass production of automobiles did not start until about 1901, about 14 years after the book was published.)

Wikipedia - State Street Boston 1801

Wikipedia – State Street Boston 1801

After a walk around the neighbourhood, Mr. West and Dr. Leete have a conversation:

“I saw very little that was not new. But I think what surprised me as much as anything was not to find any stores on Washington Street, or any banks on State. What have you done with the merchants and bankers? Hung them all, perhaps, as the anarchists wanted to do in my day?”

“Not so bad as that,” replied Dr. Leete. “We have simply dispensed with them. Their functions are obsolete in the modern world…There is neither selling nor buying nowadays;…As soon as the nation became the sole producer of all sorts of commodities…a system of direct distribution from national storehouses took the place of trade, and for this money was unnecessary…A credit corresponding to his share of the annual product of the nation is given to every citizen, and a credit card issued him with which he procures…whatever he desires.”

“How is the amount of credit…determined?” Julian asks. “With what title does the individual claim his particular share? What is the basis of allotment?”

“His title,” replied Dr. Leete, “is his humanity. The basis of his claim is that fact that he is a man.”

“Do you possibly mean that all have the same share?…Some men do twice the work of others!”

“We require of each that he shall make the same effort…we demand of him the best service it is in his power to give…A man’s endowments…merely fix the measure of his duty…The Creator sets men’s tasks for them by the faculties he gives them…I suppose in the nineteenth century, when a horse pulled a heavier load than a goat, I supposed you rewarded him.”

Citizens choose tasks based upon their natural strengths and interests, and the nation now values and even supports artists, writers, and those with other creative talents. Education is free and compulsory to the age of twenty-one.

Inside the Mall Cribbs Causeway Bristol by Brian Robert Marshall

Inside the Mall Cribbs Causeway Bristol by Brian Robert Marshall

Later, Dr. Leete and his daughter Edith take Julian to the store: a vast hall of light from windows and a dome a hundred feet above, a magnificent fountain, mellow tinted walls, chairs and sofas where people conversed, signs on the walls indicating where each category of goods was.   The orders for merchandise are taken are sent by pneumatic transmitters to the warehouse and are filled immediately and delivered by larger tubes and distributed to homes by store clerks.

This could describe many a modern mall in the year 2014. It sounds like the rudiments of online shopping, doesn’t it?

Edith enthusiastically explains to Mr. West that now everyone is able to hear a choice of music, by carrying the idea of labor-saving-by-cooperation into their musical service as into everything else. Instead of music—and only one type of music—being available only to the most wealthy of society, a number of music halls (full of musicians playing) are connected by telephone with all the houses. Four different pieces of music are being performed at one time, which the listener can choose by pushing one of four buttons, with music available twenty-four hours a day for even the sleepless and the sick.

This to me is amazing foresight to the readily available music we are accustomed to, through records since about 1900, then cassettes, and now through modern means such as CD’s and music downloads from the internet.

Wikipedia - 1850s chamber music

Wikipedia – 1850s chamber music

To Mr. West’s question, “Who are willing to be domestic servants in a community where all are social equals?” the answer is that there is no housework to do. Washing is all done at public laundries at low cost, cooking at public kitchens, making and repairing of all clothing is done in public shops. They choose houses no larger than they need, and furnish them so as to involve the minimum of trouble to keep them in order. “What a paradise for womankind the world must be now!” he exclaims.

This could be likened to our abundance of restaurants with infinite choices available, but I do so like the idea of families and their neighbors gathering for low cost meals at a place within walking distance. (In 1887 there were dining rooms connected with hotels, but apparently not yet restaurants.)

Soon they are discussing how formerly the preference was given to more efficient workers, yet the new twenty-first century system encourages the weaker as well as the stronger with the hope of rising to be leaders. “For those too deficient in mental or bodily strength…we have a sort of invalid corps, providing members with a light class of tasks fitted to their strength…all eager to do what they can. Who is capable of self support? There is no such thing in a civilized society as self-support.”

This should give a good idea of the utopian world the author hoped would be found in the year 2000, and his philosophies on individualism versus cooperation.

Wikipedia - Florence Bascom 1890, "the new woman"

Wikipedia – Florence Bascom 1890, “the new woman”

I debated about whether or not to include a description of the whirlwind romantic ending of the story—a SPOILER—but decided that since the book is so accessible, I suggest that you read it yourself. Just click on this link right now, to find an electronic copy of Looking Backward 2000 – 1887 at Gutenberg.org. Then,

  • under the Download options, click on the top one, “Read this book online”
  • scroll down to the Table of Contents links
  • click on Chapter XXV, and that will take you to page 255 (page numbers are on the left).

(If you would like a printed copy of Looking Backward, you can find several on Amazon, and Spark notes are also available.)

Starting at this point will give you all the romantic background. Here you will finally find out why in Chapter 1, as Mr. West was first awakening in the year 2000, the woman was begging her father, “Promise you won’t tell him.” It’s brilliant—I couldn’t put it down!

I wonder what Edward Bellamy would think of North America in the real 2000, or 2014. How would he explain the fact that we are still a society of individualism, of have’s and have-not’s? What drives us to over-spend and often ignore the basic needs of our brothers and sisters in third-world countries? Those are pretty big questions to which I have no clear, simple answers.  I suspect, though, that we might shed some light on the matter by using the author’s words:  “…he that does not love, does not know God”.  When our hearts and lives lack peace with our Maker, we have little or no pipeline to the source of love, and as a result have only a meager supply of grace to offer to others.

What do you think of Looking Backward 1887 to 2000?  Of Bellamy’s utopia?  Of our 21st century society?

Review of Looking Backward 2000 – 1887, Part 2

In a recent post I began describing this 1887 book written by Edward Bellamy. Here is more about the author.

Ns house & LBbk 031The first page leaves no doubt as to why he wrote this book .

 

“We ask to put forth just our strength, our human strength,

All starting fairly, all equipped alike.

 

But when full roused, each giant limb awake,

Each sinew strung, the great heart pulsing fast,

He shall start up and stand on his own earth,

Then shall his long, triumphant march begin,

Thence shall his being date.”

Browning

 

“This great poet’s lines express Edward Bellamy’s aim in writing his famous book. That aim would realize in our country’s daily being the Great Declaration that gave us national existence; would, in equality of opportunity, give man his own earth to stand on, and thereby—the race for the first time enabled to enter unhampered upon the use of its God-given possibilities—achieve a progress unexampled and marvelous.”

 

The above quote is from Sylvester Baxter’s introduction, “The Author of ‘Looking Backward’”.  According to Baxter, Bellamy had a steadfast faith in the intrinsic goodness of human nature, a sense of the meaning of love in its true and universal sense. Bellamy was born in 1850 in Massachusetts, the son of a beloved clergyman and grandson of an early pastor of Springfield. Among his ancestors was Dr. Joseph Bellamy, a distinguished theologian, friend of Jonathan Edwards, and although the author outgrew the religious practices of his family, they still marked his views with a strongly anti-materialistic and spiritual cast.

 

As I read, I found similarities between Bellamy’s ideals and these early years of the 21st century. An ethical purpose dominated his ideas, and he held that a merely material prosperity would not be worth the working for, as a social ideal. I look at society in the recent decades—1990s and 2000s especially—as ones with a focus on material prosperity, and the current society—the 2010s—as beginning to focus more on working for the betterment of mankind, rather than the largest net-worth.

 

As I have noticed in what I’ve read about creative types such as artists and writers, the author’s start in life was somewhat divergent. He attended college but did not graduate; he studied law in Germany but didn’t practice. His travels to Hawaii by way of Panama preceded his decision to pursue a literary career, beginning as a journalist. He began his literary career by writing imaginative short stories for magazines, one review calling the author “the lineal intellectual descendant” of Nathaniel Hawthorne.

 

When Looking Backward was the sensation of the year, newspapers claimed that Bellamy was “posing for notoriety” (the meaning of the word “notoriety” in 1890 apparently meaning fame, rather than a bad reputation). But Sylvester Baxter believes that the author was indifferent to all the offers of advertising, lecturing, publishing opportunities that would have earned him large sums of money.

 

While writing his last book, Equality, an elaboration and sequel to Looking Backward, his health gave way. In 1897 he and his family went to Denver, seeking a cure for consumption. During that year, letters came from mining camps, farms, and villages wanting to do something for him to show their love. He was 2000 miles from home, yet found himself among friends because in ten years his book had sold a million copies in U.S. and England, and had been translated into many languages and dialects.

 

He returned to his home in New England and died in 1898. At the simple service held, some passages from his books were read as a fitting expression in his own words of that hope for the bettering and uplifting of humanity, which was the real passion of his noble life.

 

“If we love one another, God dwells in us and his love is perfected in us…He that loves his brother dwells in the light…If any man say, I love God, and hates his brother, he is a liar…he that does not love, does not know God.   Here is the very distillation of Christ’s teaching as to the conditions of entering on the divine life.”

Ns house & LBbk 030

You can find printed copies of Looking Backward 2000 – 1887 on Amazon, and free ebooks of this book at Gutenberg.org.

 

[More of this 19th century author’s vision of the “new order of the year 2000” coming in Part 3 of my review of Looking Backward 2000 – 1887]

Guardian Angel Children’s Book Publisher – Guidelines

If you have written a children’s book, you may want to consider submitting it to Guardian Angel for consideration next summer.  I am impressed with this publisher, whose mandate is to change the world by investing in children, one child at a time. “We want the seeds of the influence from our books to live longer than we do, building a harvest of knowledge and vibrant faith that will help transform a time we may never see.”

I have made a copy of their guidelines, and did substantial re-formatting to make it easier to read, so I thought I’d make my copy available.  Here are the Guardian Angel Submission Guidelines:

Guardian Angel banner

SUBMISSIONS ARE OPEN JUNE 1 to AUGUST 31 2015

Emailed manuscript attachments are ONLY accepted in this open submission time period;

no submissions are accepted after September 1st, until June 1st of the next year.
Guardian Angel publishes books that encourage principles of positive growth for children, sharing and caring, and healthy attitudes.
Guardian Angel Publishing is BOTH an eBook publisher and print publisher and will sell and distribute your book for sale with online worldwide English speaking countries, internet stores, and in some brick and mortar stores.

Guardian Angel does not accept paper submissions.

 * * * * * * * * * *

 Accepted Categories:

We are looking for these types of Children’s Books only. We are unique in our genres of kids books.
Academic Wings books will include the broad subject matters of English, Health, Math, History, Science and Reading. These educational books may be presented as easy readers, storybooks, articles, chapter books and musical eBooks with numerous teaching aids, such as study guides, puzzles, crossword puzzles, seek and finds, word searches, picture seeks, definition match ups and more. Teachers are also invited to submit. Academic Wings
Angelic Harmony Musical E-Picture Books. Print books too! Check out our inventory for the type of books we are looking for. Can you write music? Got a musical eBook to submit but need pictures? If we don’t have one in our queue, your book might be right for us. We have added plays and musicals for schools and churches to celebrate seasons and Holy Days. See our titles Angelic Harmony
Angel to Angel we are excited about an imprint for kids writing and illustrating for kids. Kids 12 and under are encouraged to write a story and illustrate it for publication. Some of these young authors may be “discovered” from Young Author Contests at elementary schools across the country or author visits. If you are a teacher/administrator wishing to participate in such a contest, check out our page Angel to Angel
Guardian Angel Chapbooks for Tweens These chapter books are longer and are for our older readers but not quite teens! Chapbooks for Tweens should have 8-10 chapters for early chapter books and about 50,000 maximum word count for our older readers. NO Y/A, NO SEX, NO VIOLENCE and NO BAD VOCABULARY! Chapbooks for Tweens
Guardian Angel Health & Hygiene books teach our children about health and hygiene. Our books instruct and explore healthy attitudes for kids of all ages. It will deal with all sorts of health issues affecting our children today. Health & Hygiene

Guardian Angel Animals & Pets picture books and story books about our furry and feathered friends, and personal books for the pets in our lives. They may be fiction or nonfiction stories of heroic, faithful, heartwarming stories about our animal friends. Don’t  forget we have great staff artists to create your angelic pet illustrations. Animals & Pets
Littlest Angels are also simple concept picture books and easy readers for learning, sharing and caring for the younger ones in our lives. Younger readers will enjoy and learn from  picture books. Littlest Angels
Wings of Faith -faith-based storybooks and picture books for kids of all ages even twixt and tweens! They teach simple life lessons. Look at our Wings of Faith page for examples of upcoming series. Wings of Faith
Spanish Editions some of our books are translated into Spanish editions. Some of our books will be trilingual English, Spanish and French. Spanish Editions

 

      Pretty pens

 

Guidelines:

All of our books are for children: aged toddler to primary middle grade readers (0-12 yrs). Please do not send:

  • adult books or adult subject matter,
  • Y/A or romance genre,
  • board books
  • submissions of 100 words or less.

 

Email Format:

  • Please put the title of your story in the Subject of the email.
  • Send submission attachments with the Title of the story used as the name of the file
  • Always send an email message in the body of your email along with your submission. (Any submissions received without this, will be deleted as a suspected virus.)
  • All that is required in the body of your email is the usual common courtesies and a small paragraph stating that you are enclosing a submission for evaluation, and a manuscript is attached.
  • We do not need to see a wordy query, it’s the story that is important.
  • Please also include the genre, and approximate word/page count.
  • Please keep us informed of a viable email address.
  • To prevent having to wait in the queue twice, please send only one email: your complete manuscript as an email attachment, with a message in the body of the email.
  • Please attach one single book file attachment to a query email.
  • Do not send multiple mss submissions in one email.
  • Multiple submissions of the same book to multiple publishers are not accepted.
  • Send all email submissions to: editorial_staff@guardianangelpublishing.com (please note: there is an understroke (not a space) between the words: editorial_staff)
  • Note: Do not use a Yahoo email address; you will not get a response from us concerning your submissions. (Yahoo is broken and will not accept emails from us. We are not ignoring your work and are sending you emails but they are being blocked to you. If you send us a new email address (non-yahoo or yahoo administered) we will respond to your submission.)
  • Do not send .docx or pdf files. We do accept .doc, .rtf, .wpd, and .pages attachments for submissions. Do not send encrypted files. We do not accept large rtf files including art. If we want to see art we will ask for it.
  • Art: If you have cover art/or illustrations already available for your books please mention this in your submission as this will save time in the publication process if your book and art are accepted. Also, send a few SMALL scanned versions of your artwork after your email submissions but send artwork samples when asked for it, not before. (Note: you do not need art in order to submit–we have staff artists.) Do not send your only original artwork until you have been contracted with us and if and when we ask for it. We have Dropbox or a large email mailbox for art files, which you will be directed to send jpegs files to.

 

Manuscript Format:

  • Please format all manuscripts in single line spacing with a blank line between paragraphs.
  • Include your name and email address on the first page of the story (otherwise you may get the story returned to you without us even reading it. The files are separated from the emails, so we have no way of knowing who sent it and what email address it came from!)
  • Do not indent the first line of a paragraph.
  • The manuscript must be in a recognized format  .doc, .RTF, .txt, .wpd . No Word .docx. Do not send Word .docx files- we cannot open them.
  • Make sure that your name and email address are on the first page of the attachment and your attachment is named the name of the story.
  • Please include the your word count.
  • Do not layout into picture book form (story boards) unless you have the artwork included to go with it. (We don’t need to see numerous pages with one line on them.)
  • Please do not use flowery or specialty fonts. Simple Times New Roman, Arial, Verdana, or Courier are fine.
  • Please do not do hard returns at the end of a line like a typewriter unless your work is rhyming. Computers automatically make the break for you. Do not send files that have Track Changes embedded in the file- it will be returned to you.
  • We do not like first person stories or present tense stories. We think they do not work for most of our readers. Some present tense rhyming works- most do not. For us first person stories and present tense stories only work in mysteries- chapbooks for tweens and older readers. All picture book stories should be told in second person.
  • Science Fiction, Fantasy, & Mystery will be considered if age appropriate and encourages children’s imagination and problem solving.

 Children reading on couch

Follow up:

  • Due to the large number of manuscripts that we receive, a minimum acceptance time of 2 months is not uncommon.
  • You will receive a notice that your file has been received. Usually you will receive an acceptance or rejection letter fairly quickly.
  • We generally respond quickly if we like your work. (But don’t assume that we received your submission- email can be quirky at best. We’ve had one submission that sat in limbo and then showed up in our “in mailbox” 6 weeks later!)
  • We try to email a short response back immediately that your submission was received. If you don’t hear from us after a few days then you may be correct in assuming that we did not receive it.
  • If you wish to follow up on your submission, wait a month and then a polite email enquiry is acceptable. We don’t mind answering an email asking if we received it.

 

Exclusive Publication Process by Guardian Angel Publishing (“GAP”)
1. If Guardian Angel publishes your book, it will be edited by our professional editors, we provide cover art if required and we will format the book for you into all the formats sold on our website and others (if your books suits these formats. Not all books are suited for book Apps for iPad or iPod, iBooks with enhanced ePubs.) We will provide in-house artists to share in the royalties earned on book sales for picture books, story books and some early chapter books with interior art.

2. We promote the book for you in a limited fashion: by selling your book in distribution in a worldwide market; selling your book to schools and libraries through Follett Digital and Library Resources; keep up with the trends of evolving eBook markets and formatting. The Author is expected to send books out for review. Book reviews are an ongoing process and is not limited to the time that the book is first released. But you will be expected to send your story out for reviews and to promote your own work.

3. In return, the version that we edit is ONLY to be sold from our website and its affiliates. Any promotion the author makes should link to our website. (ie: your email signature, links from your website or any online articles that contain your bio, etc.)

4. Please note, there is NO charge for editing and cover art and layout of cover design and interior layout is provided by the publisher. (There is no payment by author to artist unless you take the book elsewhere before the artist’s fee has been paid out by royalties – see artist contract for further explanation.)

5. Picture Books, Story Books & Chapbooks- For eBooks, CDs, DVDs and print paperback or hardback books: the author royalties are 30% of net UNLESS the picture/story book  author/artist is the same person (50% net). For all formats with staff artist PB & SB: the author gets 30% of net and staff artist 20% of net. Chapbooks pay 30% of the net to the author. If Chapbook has b&w art the artist will collect 20% of net for royalties.

6. Guardian Angel will maintain a group email loop where all the authors and artists can share in each others success and experience. GAP maintains a Facebook page, a blog and also has a website for a free online monthly magazine for kids where we feature our authors, artists and books and where kids can play online games, see videos and get free coloring pages and more.

7. We list GAP books at distribution sites for both print paperback and eBook online stores–giving more exposure to your work.  We reserve the right to sell our books from Amazon.com , Barnes&Noble.com, Target.com,  and Follet Digital Services, iTunes, iBooks and many other sites that may be beneficial to our sales efforts.

8. Any promotional activities we undertake are only extended to our published books.

9. Our published books are eligible to be made into any new formats that come along. Guardian Angel Publishing formats the books for the authors. At present our books are formatted in PDF, FLIP books, HTML, Mobipocket, Palm, .LIT, DVDs for TV, CDs for computers, mobile movies with sound for computer handheld devices but not limited to Palm Pilots, Blackberrys, and a new application Apps, for iPads, iPhones and iPods and similar devices with touch screen technology.

10. From time to time our authors may be consulted about the business of Guardian Angel Publishing. Authors may be asked to vote on how they would like certain issues handled (which then becomes company policy). We consider the “published” authors and artists part of the family and they have a voice in the business model as it evolves. The authors and artists consider themselves our “Angels”.

11. We ask that the author applies for his own copyright and to include the artist and whole finished product- “the book” for copyright. This one time fee to the US Copyright Office will protect “the published work” in its final form (the finished book-NOT the collection of words that is prior to publication) and protect the work from infringement past the life of the author. We ask that the author does this so that there is never any dispute that the form was filled out properly or with the correct names and addresses on the form. This requirement is spelled out clearly in the contract.

 

Print on Demand (POD):

  • Print books are optional.
  • Our children’s Illustrated books have the option of paperback, and those that qualify also may be in hardcover (there is a page limit imposed by the printer). This will be done through our international printer Lightning Source, Inc. and a one time setup fee to the author for this format is $100 US. All yearly fees and other fees are paid by Guardian Angel.
  • These paperback books will be available online at GuardianAngelPublishing.com, Barnes and Noble.com, Target.com, Amazon.com and numerous online bookstores distributed to English speaking countries.
  • Our printer has printing facilities in the US, UK , Germany, Paris, Australia, and Brazil allowing us the largest distribution network in the world.
  • We are a publisher. We are not a print-on-demand printer. We are not a vanity press.
  • If you wish for Guardian Angel Publishing to publish your book it must be accepted in the usual manner for exclusive publishing This means it must meet our high standards and pass our internal stringent acceptance and review before we contract for your work, and send our books to Lightning Source, Inc. for printing.

 

Exclusive Author Contract Samples:
(Note: These contracts are identical to those sent out to the authors unless specific arrangements have been made on an individual basis). sample-contract.htm

If you are an Author wishing to use Guardian Angel Publishing Staff Artists to do the book illustrations you will need to sign the following contract agreement as well:
Artist-Contract-For-Services.doc

 

I hope this is helpful!  Their original guidelines can be found on their website, here.  You’ve got plenty of time to polish that manuscript before June 2015!  Good luck!

You can make Homemade Christmas Cards with Classic Art

A couple of years ago I was having trouble finding the kind of Christmas cards that I wanted in the stores.  I was looking for a Biblical scene and Bible verse, and wanted some extraordinary art.  It was early in December, so I decided I’d try to make my own cards.  For anyone interested in doing the same, it wasn’t really hard, and it was a pleasure looking through all the breathtaking classic art available for free on the internet.

Inside of Card Front of one card

Click HERE to download (pdf file) or just to see how all of them turned out.  The first page shows the inside text used for all cards, followed by 7 different images and corresponding back covers (the first 2 are black and white images, the rest are color).  If you like them, feel free to use them!

I hope this is useful for you and that it brings to mind the true beauty of this season, and of the gift that God gave us for the taking, the gift of abundant life, knowing him, walking humbly with him.

* * * * * * * * * *

Here are the steps I took:

IMAGES

First, as much as I wish otherwise, I could not draw a scene myself.  So, I started looking for ideas for images to use on the cover of the card.  Initially, I tried taking photos of two manger scenes that I have, and played around with special effects on the photo editing software.  That was fun, of course, but in the end I didn’t have anything that I liked.  If you are looking for an unusual Nativity scene, you are welcome to these, 10 images in a Word document.  The ones at the bottom were my son’s favorites.

Next I looked on my clipart and Bible DVD’s for various images and photographs, and found 3 that had possibilities.  Then I Googled “copyright free nativity images” and I hit the jackpot:  THANK YOU, reusableart.com! I found exactly what I was looking for, and more.  (They have over 3,000 beautiful public domain images from old books and magazines that go far beyond holidays to birds, animals, children, seascapes, buildings, trees, flowers, patterns–a feast for the eyes!)

CARD STOCK

Then I figured out what card size I needed.  I’d bought a ton of red greeting card envelopes in the summer when the dollar store had them on sale (for 5 cents each!), so I had to make my cards so they fit in the envelopes.  I decided on a card stock size of 6” x 9″, which would fold to 4.5” x 6” to fit in a 5” x 7” envelope.

MAKING THE CARD ON THE COMPUTER

I used Open Office Impress (free presentation software) and started with a blank slide.  On the Format/Page menu, I selected a custom-sized page and set it to 6×9 inches landscape.  Then I inserted the image on the right side, and a text box full of text on the left, which, after folding in the middle, would make the front and back.  One more similar slide with text on the left and right sides made the inside of the card.  (I am sure that that there are easy templates available online, and if you’re smart you’ll avoid the “custom” card size that I did–I won’t do it that way next time!)

TEXT

Customize yours for exactly what is special and meaningful to you and your loved ones!

For the inside left side text, I chose the lyrics from the “Hallelujah Chorus” from Handel’s Messiah, a piece of music that I have loved ever since we sang it in choir in college.  For the inside right side text, I just wrote a short sentiment from the heart.

In the back cover text, I listed the title of the painting and the artist information, as well as a blurb about Handel and his work.

FINISHING

I saved my final files as pdf’s that would print on 8-1/2 x 11” card stock or paper, with the intention of using a paper cutter to trim the side and bottom to 6 x 9”.

My plan was to print onto my own card stock at the self-serve copy/print department of the office supply store, but I wasn’t allowed to do card stock on self-serve.  They had to do it themselves with their own very high quality expensive card stock, and it would be at least a week before they had time to do mine.

So I printed the black and white inside of the card at home on my laser printer, then printed the color sheets at the office supply store on regular white paper, and trimmed them using their paper cutter.  I attached the color pages to the outside of the cards with double-sided tape.

I hope this gives you some great ideas and the joy of making your own personalized cards!

* * * * * * * * * *

This was originally posted December 18, 2012

Review of Looking Backward 2000 – 1887

At a recent used book sale I bought an intriguing book written by Edward Bellamy. It was published in 1887, with the premise of having been written in the year 2000. The author imagines how the country would look in another century if certain idealistic industrial, political and economic changes were made to enable the best possible society for all citizens. Bellamy felt that instead of writing a non-fiction analysis and critique of the country’s economy, it would be more interesting to tell the story of a fictional character who falls asleep and wakes up over one hundred years later to find a changed society.

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One of my reasons for searching out books over a hundred years old is similar to this author’s reasons for writing it. I want to know how the world has changed, and I want to understand how people thought, what their priorities were, what their values were and how they compare to ours today. This book has the added benefit for me of being written as fiction, which I find a much easier form for conveying ideas, perspectives and attitudes. I don’t find the topics of industry and economics interesting, so I wasn’t enthusiastic about that part of it. But I do find it fascinating to read the author’s and main characters’ discussions on those topics, and their comparisons between the two time periods. I’ve probably learned more from Looking Backward about the industrial history of the country than in any social studies class I ever endured.

The book was published by Houghton Mifflin Company, Boston and New York, and The Riverside Press, Cambridge. On the copyright page is the phrase “Four hundred and forty-seventh thousand”. Could this be the number of copies?

Sylvester Baxter, Boston journalist and urban planner at the time, wrote the introduction. The front cover and first blank page were signed “W.J. Wilde, Red Deer”, which I assume refers to Red Deer, Alberta, Canada, a town about 150 kilometers north of Calgary. It is called the Memorial Edition because this particular edition was copyrighted by Emma S. Bellamy in 1915 after the author’s death.

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The book begins with an “Author’s Preface” (which is not the author Edward Bellamy, but the author of the “book within a book”), supposedly written on December 26, 2000, in Boston.

“Living as we do in the closing year of the twentieth century, enjoying the blessings of a social order at once so simple and logical that it seems but the triumph of common sense, it is no doubt difficult…to realize that the present organization of society is…less than one century old.” The ancient industrial system “with all its shocking social consequences” had been expected to last to the end of time. “How strange and wellnigh incredible does it seem that so prodigious a moral and material transformation as has taken place since then could have been accomplished in so brief an interval!” The language is so eloquent, music to my cerebral ears.

To summarize the beginning, when a 19th century man named Julian West awakes to find himself in the 21st century under the care of a family in Boston, he begins to explore, question and discuss the changes he sees with the family members. The first and most obvious change he notices from an upper balcony of a three-story home is that the city is obviously now prosperous, full of fine houses, open squares filled with trees, statues and fountains, and public buildings of colossal size and architectural grandeur.

As he questions his host, he learns that the government now operates many locations of the exact same stores for people to obtain food and other consumables. They do not use money; instead, they use a “credit card”. The funds backing the credit card are provided by the government and are distributed equally to every citizen. Employment, then, is not the source of one’s income and buying power; it is each person’s contribution to the cogs of the wheel running an orderly society.

Some refer to this book as utopian, some call the principles in the book socialist or Marxist, many note that it was one of the most popular, important books of its day. According to SparticusEducational.com,

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The novel was highly successful and sold over 1,000,000 copies. It was the third largest bestseller of its time, after Uncle Tom’s Cabin and Ben-Hur. As Bellamy’s biographer, Franklin Rosemont, has pointed out: “The social transformation described in Looking Backward has in turn transformed, or rather liberated, the human personality. In Bellamy’s vision of the year 2000, selfishness, greed, malice, insanity, hypocrisy, lying, apathy, the lust for power, the struggle for existence, and anxiety as to basic human needs are all things of the past.”

I knew the name Bellamy sounded familiar. The author was apparently the cousin of Francis Bellamy, famous for creation of the Pledge of Allegiance.

You can find printed copies of Looking Backward 2000 – 1887 on Amazon, and free ebooks of Edward Ballamy’s book at Gutenberg.org.

[More to come in Part 2 of my review of Looking Backward 2000 – 1887 by Edward Bellamy!]

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Review of Louisa May Alcott’s A Long Fatal Love Chase

Lately I’ve been reading parts of Louisa May Alcott’s journals and poems and, especially in her younger years, she writes with sweetness and light. After all that I’ve read of hers, I am still astounded at her talent for words and her inviting tone. Yet here is another one of her “blood and thunder tales”, swinging to the opposite end of the pendulum, yet never losing the wholesomeness and decency the author is known for.

 

Interesting things happened to me with this novel, which I will talk about later. Here I will give as thorough a summary of A Long Fatal Love Chase as possible without spoilers. If you are like me, and you don’t want any of the important parts revealed, you might want to skip the next two paragraphs and just trust me that this is a novel you must seek out and read.

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This is a love story between an adventurous young woman, Rosamond, who marries an exciting, brooding, mysterious stranger, Tempest, and sails away with him, leaving behind a restricted life with her grandfather. However, she learns that her beloved has not been honest with her, and kept a very important fact from her. Rosamond runs away from him, and hides in a place she believes he will never look for her. She no longer believes he is an upright man, and knows she should be through with him completely; yet she still loves him. He finds her and she flees; he pursues her obsessively. He wears her down with his ability to track her no matter where she goes and to appear out of thin air.

 

Finally, she seems to have lost him. Her life settles into a routine. She is safe living with a woman who is an unexpected, most improbable friend, and enjoying the protection and affection of her devoted priest, Ignatius. But her feeling of security is short-lived. Tempest pursues her when she flees by ship, separating her from the people who had kept her safe, terrifying her. The nightmare she had dreaded and endured for so many years has come true. I won’t tell the ending, but be assured that it is fascinating, unpredictable, and gripping until the last word.

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I always love “visiting” distant countries of the world that are the settings of characters’ lives. We visit England, France and Italy in this novel, originally titled A Modern Mephistopheles, and have the unique advantage of also experiencing life aboard a ship.

I started reading and thoroughly enjoying this book and then lost it. A year later, I found it in the zipper pocket of a suitcase. After a couple weeks I lost it again (honestly, this carelessness with books is not like me; it has never happened before or since), but found it soon after under my car seat (which gave me an image of sitting in my car while waiting for one of my sons to get changed after a hockey game.) At any rate, I’m glad it kept finding me!

Alcott quote

An extraordinary thing happened with A Long Fatal Love Chase. A co-worker and I had been discussing our favorite books, and we realized that we had the same preference for high quality fiction and classic authors. After this talk, we both felt that we had some books the other would like, and agreed to bring one the next day. Even though I felt she might be disappointed that I brought something rather obscure, outdated and melodramatic (and even had a twinge of fear that she might even lose respect for my reading tastes!), I brought A Long Fatal Love Chase to work the next day for her to read. As we pulled our books out of our bags, I could see that she had brought a thick book with an interesting cover. She handed it to me and I laughed. Although a different cover, she had brought me the same book!

 

I give an A+ to this less well-known but high quality 1866 Gothic romance by Louisa May Alcott. You don’t have to cave in to books with vulgarities, brutal violence or overly sensual relationships if you or your adolescent daughter are looking for excitement, drama, danger and tension in your reading. The latter is the kind of book that I enjoy, and this book of Louisa May Alcott’s, as well as the others I’ve previously reviewed*, fit the bill perfectly.

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Remember that a vast amount of Alcott’s writings are available online for free reading.

 

* My other L.M. Alcott book reviews are here…. here…. and here.

 

Book cover images from www.librarything.com

Free Online Writing Retreat starts tomorrow

I just found out that author Vinita Hampden Wright is offering a free week-long online writing retreat starting tomorrow, September 29, 2014. My first reaction at hearing the news (from a fellow fan of Louisa May Alcott) was that a retreat sounded nice (images of a quiet wooded area and hours of free time to ponder and write). However, in reality, the retreat would have to be tacked on after an 8-hour day at work, and most of my evenings this coming week are not “free”. But I think so highly of this author that I decided to sign up for it and make it a priority. The retreat, part of the Deepening Friendships online community at the website of Loyola Press, also appears to touch on journaling which is of special interest to me right now.

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I first “met” Vinita Wright when I read her excellent novel Velma Still Cooks in Leeway. Looking for another of her novels to read, I ran across her non-fiction book The Soul Tells a Story: Engaging Creativity with Spirituality in the Writing Life. As she described her writing life, I felt like she had read my mind. As a result, I was very much encouraged that my quirks and thoughts weren’t as unusual as I’d thought, and could lead to some valuable writing. And even if they were unusual, to have someone of Vinita Wright’s calibre with the same quirks made them seem completely acceptable! I wrote her an email to thank her, and she responded with a warm reply.

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I trust her wisdom, and highly recommend checking out her online presence as well as her books. Hope to see you at the retreat!

Review of Celebrating Milestones by Adeola Adekugbe

Did you celebrate your 40th birthday by writing a book? Adeola Adekugbe did! She decided to commemorate the occasion by thanking the many people who have impacted her life and helped her along the way to become the woman that she is today. I love that!

Adeola prefaces her book by referring to the poem titled “Reason, Season, and a Lifetime”, which had a big effect on her as it helped her to understand her relationships. She also notes, “The Bible says we should ‘give to everyone what you owe them…if honor, then honor.’” Here in this book is her tribute to them.

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We begin by meeting her large family. She defines family as people who are not necessarily related to her by blood, but by heart and spirit. Adeola, born in Lagos, Nigeria, gives an especially loving tribute to both of her parents. As she does for the many people throughout the book, she writes a sentence or two summarizing what she admires most about her father and mother, and how they blessed her. We then go with her to a boarding school in Manchester, England, one of the most difficult times in her young life, and through her teen years. Adeola relates how she first came to trust Jesus as her Savior, and tells about the people who most influenced her life at that time, including her pastor and husband. Coming to Calgary was a new chapter in her and her family’s lives, and it brought many new relationships to appreciate. It is a joy to read her loving words about her children.

This woman has now become a wife, mother, leader, philanthropist, and life coach. She closes her memoir with gestures typical of her generous heart: a list of suggested organizations that people may want to donate to in honor of their own 40th birthday, and songs about God’s faithfulness. Her hope is that Celebrating Milestones blesses her readers, and encourages them to look around and appreciate those who have impacted and molded them.

Pastor Ben Adekugbe, Senior Pastor of Calgary World Harvest Christian Centre, Alberta, Canada, wrote the forward to the book, and says these words about it:

 Often times, great acts of courage, love and compassion by ordinary people come across as being ignored until after the person has passed on. It is far more rewarding to appreciate them while they are alive…It goes beyond appreciation; it is a book that inspires hope and courage in the individual, it helps us understand that there are no “chance meetings” in life but opportunities to contribute to history…I pray this book will bring healing to those hurting and give them the courage to be whatever God has called them to be or achieve, to the glory of His name.

 I found this book to be a kind and creative approach to celebrating the beginning of a life, and an inspiration to look at my own life with appreciation for the many people who God placed in it, at the just the right times and places.

You can find Celebrating Milestones: 40 Years of Great Influence on Amazon, and you can visit Adeola’s websites at:

Adeola Coaching Services – www.adeola.org

All Woman Ministry – www.allwoman.ca

 

What to Read Next?

How do you decide what to read? Do you scan the latest bestseller lists? Do you have a library of unread books where you just close your eyes and reach for one? Does a friend inspire you to read the great book they just finished?

I had a lot of time to ponder this question when I was supervising a test at school. I realized, after having moved among the students with nothing to occupy my mind for several hours, that I don’t have a very good way of choosing my next book.

I love to browse physical shelves of books, touch the books, open the covers and flip through them. So, sitting on my book shelves I have a load of random books that are a result of “impulse buying”: they caught my eye and ignited my curiosity (and were too good of a deal to pass up!). I also love to browse online bookstores and making wish lists. It’s exciting to me how many different kinds of texts exist, and I want to read so many of them.  And that’s how I’ve been choosing what to read next.

But I just ran across my very old list of books that includes classics, award-winners and recommendations by friends, the media, the church, the library or websites I visit. I forgot about my Books to Read List because I stopped carrying it in my wallet. It got too long (to get all the titles typed on both sides of a single sheet of paper, which could fold to fit in my wallet, it had to be a 9-point font), and I didn’t seem to have much time to read anyway.  Even though the books I look at every day at home look like excellent books, I resolved that I was going to return to my list, as it is far less impulsive.

Image by Eder Capobianco, Flickr

Classic Novels – Image by Eder Capobianco, Flickr

I generally try to read books that will have eternal value, and change me for the better.  I think fiction affects me more than non-fiction, but it has to be well-written fiction. Classic novels seem trustworthy choices for quality fiction, and when I run across references to classic novels that I haven’t read, it bothers me to be missing so many stories that have stood the test of time for hundreds of years. So a section of my Books to Read List developed by browsing lists of the best books, such as the ones I found in the Appendix of James Wood’s book How Fiction Works, or an online list, such as Open Culture’s list of “The 10 Greatest Books Ever, According to 125 Top Authors”. I take great pleasure in the rare times I can tick off another one from this list of distinguished, admired books from authors around the world.

So what to read this summer? One fiction book from my Books to Read List is Les Miserables by Victor Hugo. I have planned to read it ever since my son read and discussed it with me when he was in junior high school (about fifteen years ago). Not only that, the movie is out, and I don’t want to watch the movie until I’ve read the book, so the pressure’s on. Les Miserables is on the top of my fiction list.  I have recently started reading it on my Kindle, and with my larger font preference, I seem to be making slow progress! I get a bit overwhelmed when reading a huge book, but am staying interested.

For my next non-fiction book, I’m reading a book recommended to me by a friend, What are You Afraid Of? by David Jeremiah, with the hope of taking a frank look at my fears, and my faith. I’ve checked it out of the library and am about a fifth the way through it. So far, it is practical and straightforward yet empathetic.

What are at the top of your lists? What is the best book you’ve ever read? I’d love to read your comments.

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